Title |
Replacing color guides
|
Evaluating color on press
|
Color Disagreements During Press Checks
|
Intermediate Colors
|
Acclimating to viewing booths
|
Errors and omissions
|
Dryback compensation
|
How quickly do you pay your printers, part 3
|
Getting a fair price from your printer
|
Pre-testing synthetic paper stocks
|
Shortcuts for Kerning, Tracking & Leading
|
Adjusting for Creep
|
Selecting paper when printing crossovers
|
Screen ruling
|
Fluorescent ink, part 2
|
Fluorescent ink, part 1
|
Tips for selecting a quality printer
|
Printing violet colors
|
Paper Curl
|
The advantages of direct buy paper programs
|
Setting up files properly for a fold
|
Selecting inks for foil stamping jobs
|
Avoid wrapping dark colors
|
Aqueous Coating, Uncoated Paper
|
Judging Color Builds
|
Selecting Type for Embossing
|
What is good print contrast?
|
Evaluating color on press
|
Compensating for Dot Gain
|
Folding factoid
|
Calculating spoilage
|
All colors are not equal
|
Printing grays and browns
|
What is thumbedge imaging?
|
Revised specifications
|
Do you have to print everything digitally when using a digital storefront?
|
Collating mark
|
Quality tolerances
|
How can I create more demand-driven fulfillment?
|
Paper stiffness
|
Get more accurate postage savings estimate when using co-mail and other co-distribution programs
|
Analyzing the total costs of your print projects
|
Should I always specify the highest line screen the printer offers?
|
Balancing color and paper
|
How can my planning decisions impact the bindery?
|
The Importance of Color
|
Altar fold
|
What is a touch plate?
|
Print Samples
|
Curve Compensation
|
Asking for a pre-invoice
|
Calculating the weight of your direct mail piece
|
Paper brightness
|
Fluorescent ink, part 3
|
Ink Coverage
|
Wet ink trap/apparent trap, part 1
|
Bidding print projects: Overs and unders
|
Avoid aqueous coating on...
|
Printing grays and browns
|
Speeding Up Mail Delivery
|
Complex Folds - A Rule of Thumb
|
Green Coatings
|
Paper finishes: satin, silk, velvet, etc.
|
A rule of thumb for complex folds
|
Spoilage, part 1
|
Tricks to Printing Multiple Pages
|
Metallic inks on different print runs
|
Reverse Lookup Dictionary
|
Calendering
|
Calculating overs, part 1
|
Saving Time and Money on Pre-press Costs
|
Uncoated Papers and Dot Gain
|
Metallic inks, part 3
|
Moisture Content in Paper
|
Dot control
|
World Resources Institute
|
Paper whiteness (shade)
|
Research on Print Media Effectiveness
|
100 Copywriting Tips for Designers
|
A healthy monitor height
|
Comparing press sheets to proofs
|
Analyzing color, part 1
|
Selecting intense ink colors
|
Metallic inks on different print runs
|
Calculating the weight of your direct mail piece
|
What The Font?!
|
Can Color be Memorized?
|
Who's Ripping Off Your Website Content?
|
Fluting
|
Metallic inks, part 5
|
How to Avoid Getting Hickies
|
Hues by the Thousands
|
Color variance in long run print jobs
|
Cyan overhang
|
Paper contamination
|
Ghosting
|
Imposition for crossover images
|
Double black
|
Identifying problems on press
|
Color density
|
Prompt Payment Yields Lower Prices
|
When setting up contracts, avoid rebates
|
Revised specifications
|
How quickly do you pay your printers?
|
Ease of doing business
|
Push while Others Pull
|
Runability
|
What never to do when asking a printer to redo
|
Better with age
|
Unsolicited Emails vs. Unsolicited Snail Mail
|
Avoiding transposition of PMS numbers
|
Should you tell losing suppliers the approximate amount of the winning estimate?
|
Folding and Paper Grain Direction
|
Cast-coated
|
Film laminates and other coatings can change color
|
Designer's Guide to Business Writing
|
The Virtues of Vinegar
|
Metallics on Uncoated
|
Keep Your Clothes Cool
|
What is Dot Gain?
|
Who's Linked to Your Site?
|
Forgo the Logo?
|
Color variance in long run print jobs
|
Cast-coated Papers
|
Grammage
|
Creep
|
Advancing your career, part 4
|
Advancing your career, part 3
|
Advancing your career, part 2
|
Advancing your career, part 1
|
Resolution counts
|
Getting samples from your printer
|
Loading Cut-Sheet Paper
|
Save time
|
Duotones
|
Dot shape
|
Saddle-stitching
|
Don’t Get Caught Greenwashing
|
Picking/linting
|
Writing the job
|
A Tab-Free Tip
|
Keeping duplicates of originals
|
What is a touch plate?
|
Caliper and micrometer
|
Spend Saturday Morning at the Farmer’s Market
|
Fluorescent printing inks
|
Bogus paper
|
"House" sheets
|
Reverse type
|
Rich black
|
Increase the accuracy of your quotes, part 2
|
Increase the accuracy of your quotes, part 1
|
Saving Soil
|
Job ticket
|
Overnight samples
|
Size Matters!
|
Pica
|
Your expectations are different for every job
|
Gatefold: the most difficult fold
|
Reduce Your Carbon Footprint by Telecommuting
|
Ask for recommendations for coatings
|
Different impressions
|
Saving Money -- reducing AA and CO costs
|
Wet ink trap/apparent trap, part 2
|
Butt Register
|
Sheetfed vs. Web printing
|
7 Money-Saving Tips
|
Perfect Binding with Tabs
|
Copper Gravure
|
Access Domtar Webinars Online
|
Return proofs promptly
|
Freshen Your Indoor Air
|
Densitometer
|
Conditioning Paper
|
Don’t forget your pets!
|
Whiteness vs. brightness
|
Reflex blue ink
|
Setting the stage for expectations
|
Breathing In
|
Comparing apples to apples
|
Request for Final Changes
|
Don't Come Up Short
|
Press Check, part 2
|
Press Check, part 1
|
PUR Binding
|
Raised UV Inks
|
Avoid Drying Agents
|
Touchplates
|
Rejecting a Job
|
Tips for selecting a sales rep
|
Happy 40th Birthday Earth Day!
|
Test Your Internet Speed
|
Select paper that is compatible with photos and illustrations
|
List Fonts in PDFs
|
Save time on your projects
|
Print Sales: old school vs. new school
|
Split gum envelope
|
Negotiating, part 2: compensatory damages
|
Negotiating, part 1: asking for a discount
|
Recycle Old iPods
|
Sheet (leaf) vs. page
|
Most synthetic papers may not be compatible with these processes
|
Microwave it!
|
Choosing a production manager
|
Dare to Compare
|
Caliper, part 2
|
Applying Ink Theory to Uncoated Paper
|
Toner Based Devices & Ink Coverage
|
Color Communication
|
Why and How to Buy a UPS
|
Graphic Leftovers
|
Choose the Greenest Coat
|
Series: How to Save Money on Print Projects
|
Plant Tours
|
Inks to Avoid When Digital Printing Upon Pre-printed Sheets
|
Set your browser size
|
A Little Fun on Friday
|
Additive Colors
|
Digital printing and paper selection, part 3
|
Tips for Long URLs
|
White paper and ink
|
Reflex blue ink
|
Cost containment programs
|
Make Friends with the EPA
|
Using Courier for Tables
|
Push While Others Pull
|
Using fade-resistant inks
|
From Calipers to Calendering
|
Blanket Cylinder
|
Refine Edge of Selections
|
See Your Favorite Font Designers
|
Skip the Gym, Get a Ball
|
What is a Micrometer?
|
Use More Soft Proofs
|
Digitize Video Without a Computer
|
Make Friends with the EPA
|
Layouts for PDF Portfolios
|
Matching Paper to Photography
|
"Hit" Ratios
|
Canvastic 3.5
|
Magazine for Marketing Strategists
|
Leopard, QuarkXPress and PPDs
|
Setting the stage for expectations
|
Let Your Printer Know What's Critical
|
Inserting reply envelopes into a 6x9 carrier
|
Types of diecutting
|
Supplier relations, part 1
|
Job Definition Format
|
Salary Survey and Calculator
|
How to Create Dotted Tab Leaders
|
Collaborative Filters
|
Metals in CS3
|
Moisture and Curl
|
Grotesque Face
|
Saving Time on Scanning
|
Accepting responsibility
|
Proofing communication tips
|
Using Opaque White on Dark Stocks
|
Add page numbers to PDFs
|
Convert RGB to CMYK
|
Famous fonts
|
Proofing from your monitor
|
Cross-platform fonts
|
Vendor expectation document
|
XML
|
Replace expert fonts with OpenType
|
New Resource for Packaging Buyers
|
Cockling
|
Instant Social Features for Your Website
|
Remove kerning & tracking
|
Vacations and days off
|
Find area codes in Google
|
Donate or recycle your Mac
|
The greatest PDF editor
|
Create surveys
|
Coated papers and digital printing
|
Paper misfeeds and jamming
|
Rules for scanning
|
Color Profiles
|
Opaque inks
|
Screen tints
|
Crop your images
|
Conventional Four-Color Printing
|
Easy Named Tints in InDesign
|
Screen tints of metallic colors
|
Paper for Highly Handled Print Jobs
|
Professionally Fix Photos in iPhoto
|
Folding Dummies
|
Huey Pro: Odd Tints, Lost USB and Leopard
|
Perfect Digital Photography
|
The Caps Lock Key is NOT Your Friend
|
Difference between U.S. and European papers
|
What is copyfitting?
|
Paper making: The whitening process
|
Color Space
|
IPA Webinars
|
Hardware Wi-Fi Card for Digital Cameras
|
Quick Fix for Blown Out Skin Tones
|
Color is Emotional
|
Acid vs. Alkaline Papers
|
Turn Your iPod or Desktop Monitor into an Interactive Color Wheel
|
Ink trapping
|
Smooth Sheets Produce Crisper Photos
|
Faster, Tougher Flash Drives
|
Felt Side
|
Personalization on Coated Stock
|
Gloss Level of Coated Paper
|
The Incandescent Light Bulb has Reached the End of its Life Span
|
Holograms
|
Keeping up with Typesets
|
Get the Greenest Lawn
|
Materials and Techniques
|
Smoother Blends & Drop Shadows in PDFs
|
Additive Color Mixing
|
Embrace Print on Demand
|
How To Replace a Process Color
|
Pulp and paper
|
Varnished and Coated: Use quickly when imprinting on pre-printed sheets
|
When reviewing proofs, don't forget...
|
Get a Unique Effect on a Limited Budget
|
Size matters
|
When printing large or dark solids...
|
Faster Dialogs
|
Soy Savings
|
Press W to Hide Everything in InDesign
|
Paper weights
|
Add a Background to a PDF
|
Bit Depth
|
Dot, dot, dot...
|
Paper Smoothness
|
Three Audio Tips
|
Take Time to Keep Track
|
Imprinting on Pre-printed Sheets
|
Where the Wind Blows
|
Turn Photos into Cartoons
|
ContentBarrier
|
Halftone Color Synthesis
|
Put Your Logo on Stamps
|
Easy Remote File Access, Anywhere in the World
|
Converting Paper Basis Weight to Grams
|
Color Replacement
|
Realistic Mats and Frames
|
Purchasing Mega-Watt Hours
|
Magnetic Paper - Free Sample
|
Opaque White
|
Color Management
|
Preview in Grayscale in QuarkXPress
|
Cut Down on Clutter
|
Web vs. Sheetfed Paper
|
How to Create Dotted Tab Leaders
|
More Reasons to Use Soft Proofs
|
Series: How to save money on print projects
|
HistoryHound: Better than your memory
|
Selecting Type for Foil Stamping
|
Success Secrets of Graphic Design Superstars
|
Series: How to Save Money on Print Projects
|
Primary Colors
|
Stochastic Screening
|
3 Ways to Reduce Banding of Gradations
|
What is Ajax?
|
Reverse Type Tips
|
Adding your Signature to a PDF
|
Hexachrome – Six Color Process
|
Free Business Strategy eBooks!
|
Off-press vs. On-press
|
ColorMunki Create
|
Successful Cross-Platform Email Attachments
|
Recycled Papers
|
Text Expanders
|
Copyright Education
|
A Unique Website Service for Printers
|
USB 3.0 in 2010
|
Smooth Vector Graphics for Websites
|
Cool Eco-calculator
|
Intuitive Color Correction
|
Faster Digital Camera Transfers
|
Free Booklets on Printing
|
How to Think Like a Great Graphic Designer
|
Much Easier Compositing
|
Redigitization
|
An Awesome Map of Web Trends
|
Inside Digital Design
|
Open Source Software
|
Spook-tacular Green Tips for the Season
|
USPS Helps Design Mailpieces
|
Adjust Word Spacing
|
Quick Sleep in Leopard
|
Designers Toolbox
|
How Do I Replace a Process Color?
|
Instantly See Previous View in Acrobat
|
Variable Line Screens
|
Top 10 File Problems
|
HTML Email Services
|
Pantone's Color Report for Fall
|
iPhone Simulator
|
CIELab color space
|
Basis Weight
|
Larger type in web pages
|
Color control bars
|
Advancing your career, part 3
|
When gluing uncoated stocks...
|
Free Legal Form
|
Direct Mail Basics
|
Analyzing color, part 2
|
Acclimating to viewing booths
|
Generate fake event tickets
|
Useful Stock Layouts
|
Sizing or rotating of images
|
Link directly to page in online PDFs
|
What designates the grade of paper?
|
Hardware
|
Rotate Single PDF Pages in Preview
|
Digital printing and paper selection, part 2
|
The Digital Photographer's Notebook
|
Microprint
|
Drag and Drop Google Searches with Safari
|
Ink draw downs
|
Free Templates for Business Reply
|
Killer web content
|
Sizing or rotating of images
|
Official QuarkXPress training materials: free
|
Fluorescent ink, part 1
|
Manage PDFs with yep
|
Help with CS3 product options
|
Paper finishes: satin, silk, velvet, etc.
|
Apple gets greener
|
Who is touching your job?
|
Exceptional stock photo websites
|
Metallic inks
|
56 new Pantone colors
|
Replacing Color Guides
|
Select text columns in acrobat
|
Launch Acrobat faster
|
Image resolution for print reproduction
|
Instant book jackets in InDesign
|
Barrel folds
|
New city maps
|
Color depth
|
PDF to become a formal standard
|
Using fade-resistant inks
|
See resolution of images in PDFs
|
Alternative courses in color and light
|
Cost effectiveness of printing
|
Use Google to Search a Website
|
Save time and money on your next newsletter project
|
ECF and TCF
|
Color match?
|
CartoonBank.com
|
Better typical display in InDesign
|
4C B&W
|
Undercolor removal (UCR)
|
10 Tips for success
|
Ways to archive a website
|
Screen tests
|
PDF Checklist
|
Color is emotional
|
How quickly do you pay your printers?, part 1
|
Printing dark solids on uncoated paper
|
Lose the gray
|
The raw and the compressed
|
Color profile
|
Copy or move PDF pages
|
Subtractive color synthesis
|
Machine folded gatefolds
|
Postage rates increases
|
The right dots make a difference
|
Defining offset printing
|
Higher ink density means richer color
|
Papers for laser and digital printing
|
List Fonts in PDFs
|
Tip for heavy black coverage
|
Print Part of a PDF Page
|
Interviewing Suppliers, part 1
|
Cost containment programs
|
Printing solids on uncoated paper
|
Try a natural white sheet
|
Salary Guide
|
Reflective
|
An Amazing Color Palette Generator
|
CMYK
|
Strathmore.com
|
How Linked Is Your Site?
|
Data mining
|
Create Letterhead Templates in MS Word
|
Zip to Send
|
Instant Web Receipts
|
Guide for Switching from Windows to Mac
|
Export Successfully from Illustrator
|
Use color to print B/W inkjet photos
|
Better web searches
|
Webby Award Winners
|
Free Font magazine
|
Exceptional websites
|
What is FocolTone?
|
Adobe's guide for troubleshooting InDesign
|
Illustrator World
|
Fall colors
|
Creative Business
|
Discover new color palettes
|
Exact links in Acrobat
|
Search the world with Google Earth
|
Download commercials at Google
|
Coated paper
|
Embossing on recycled paper
|
Select text columns in PDFs
|
Google Alerts
|
Groundwood or freesheet
|
Adhesive binding
|
Useful Pangram
|
Wet on dry printing
|
Digital printing and paper selection, part 1
|
Real World InDesign CS2
|
Image Capture - Part 1
|
Sharpening settings for web images
|
FlightCheck Pro 5.8
|
UV coating, part 2
|
One way to cut paper costs
|
How important is your sales rep?
|
More tips for projects that are laser printed
|
Predictability Beats Quality
|
Varnishing on uncoated stock
|
Rendering
|
Image Capture - Part 3
|
Image Capture - Part 2
|
Postpress
|
Picking resistance
|
Perfecting machine
|
Gummed for live stamp
|
Specifying the number of pages in a print project
|
One-to-one marketing
|
Ogilvy, David
|
Paper opacity
|
Mini-book
|
Letterset
|
Kerning
|
Intaglio process
|
Cracking on the spine
|
Hue
|
Slurring
|
Engraving
|
Foilstamping
|
Emboss/deboss
|
Suggestions for high gloss
|
Effect coating
|
Tritones/Quadtones
|
Dialog marketing
|
Google Maps: Much Better Than MapQuest
|
Dropload
|
Printing Pages in QuarkXPress & InDesign
|
Special effects
|
Cut size paper
|
Free White Paper on Optimizing PDF Workflows
|
Concertina fold
|
CMM - Customized MarketMail
|
Involve your printer from the beginning
|
Supplier qualification, part 1
|
Whoever has the most efficient workflow wins
|
Opaque vs. Transparent Ink
|
Digital workflow and analog proofs don't mix
|
Tips for a successful press check
|
International Color Consortium (ICC) Profiles
|
Spoilage, part 2
|
Try to proof on the same substrate you are printing on
|
Communicating expectations
|
Who is touching your job?
|
Advancing your career, part 4
|
Metallic inks, part 2
|
What's important to a printer?
|
Advancing your career, part 3
|
Cracking on the fold
|
Speak Up! Ask About Postal Discounts
|
Your printer and job tracking
|
Buyers looking for more control
|
Create a formal procedure for rating suppliers
|
Postal costs
|
What grade of coated paper should you choose?
|
Color calibration
|
Ink draw downs
|
Synthetic paper and oxidizing inks, part 2
|
Matching the personality of the paper to the project
|
Metallic inks, part 1
|
Brightness & ink density
|
What is CMM?
|
Let Your Print Supplier Know What’s Critical
|
How quickly do you pay your printers?, part 1
|
Printers "hit" ratios
|
Supplier qualification, part 2
|
Synthetic paper & oxidizing inks, part 1
|
Perfect binding cover stock
|
Has this paper really been discontinued?
|
Don’t forget to send a proof!
|
Force black type to overprint
|
UV coating on uncoated papers
|
Saving money on stationery
|
Aqueous Coating, Spot or Flood Varnish?
|
Procrastination buster, part 7
|
Matching color in Photoshop
|
UV coating on coated stock
|
Hairline rules
|
Blends/vignettes, part 1
|
What is imposition?
|
Low-tack Inks
|
Color blindness test
|
Dot gain
|
Avoid the heavy ink/high-gloss paper combo
|
When suppliers subcontract part of your job
|
Best ink hold-out
|
Insist on contract proof with color bar
|
Purchasing computer monitors
|
Quick Setting Inks
|
Paper for film lamination
|
Naming PMS colors in your files
|
Mailing proofs
|
Considerations for 6 x 9 or 6 x 9 1/2 carriers
|
Matte paper and scuffing
|
Too many fonts?
|
Have you considered fluorescent inks?
|
Source for comparing opacity between paper stocks
|
If you email files to your printer – be careful!
|
Mottling
|
Opacity
|
CD-ROM publishing: testing your interactive CD
|
Standard line screens
|
Your expectations are different for every job
|
Don't stylize fonts
|
Communicating expectations to your supplier
|
Perfect binding
|
Provide color separations and composed proofs with your files
|
Find out who is using your mailing list
|
How one company saved $28,000 by switching paper
|
Crossmedia
|
Basis weight
|
Supplier expectation sheet
|
Cookies
|
Computer-to-print
|
How printers can help you reduce AAs
|
Keep examples of specialty print jobs
|
CIP4
|
Character set
|
Buying companies using fewer suppliers
|
A sales rep's experience is critical
|
Bandwidth
|
Application server
|
Provide color separated lasers and color comp
|
Lowering unit costs of printing
|
Vehicle
|
Remove Those Who Do Not Want to Receive Mail from Your Mailing List
|
Try a satin varnish!
|
Tree-free papers, part 2
|
Tree-free papers, part 1
|
Don't settle for lousy service representatives
|
Ask for a competitive bid
|
Does it bleed?
|
Loop stitching
|
Blind embossing
|
Paper is part of the creative process; plan early
|
EUPRIMA
|
Procrastination buster, part 9
|
Procrastination buster, part 8
|
Perfect
|
Bristol board
|
Procrastination buster, part 6
|
Procrastination buster, part 5
|
Procrastination buster, part 4
|
Save time, part 2
|
Save time, part 1
|
Who is responsible for trapping?
|
Procrastination buster, part 3
|
Procrastination buster, part 2
|
Procrastination buster, part 1
|
The best way to submit RFQs
|
Clipping Paths
|
Success in print buying is largely based on organization
|
Types of film laminates
|
Web page design software – links and interactive functionality
|
Paper stocks that are mill orders
|
Bidding print projects: Sample vs. example
|
Bidding print projects: Project title
|
Bleeds
|
Signature
|
Choices for foil stamping
|
Judy's tips for print success
|
Always send screen and printer fonts
|
Be safe with EPS or TIF
|
Foil Stamping or Tip-ons
|
What is RIP?
|
Perfing
|
Selecting service representatives
|
Keeping copies of originals
|
Create a library of unique formats
|
Sculptured embossing
|
Heavy coverage on board stocks
|
Getting quotes on specialty binding
|
Font licenses
|
Recycled vs. recyclable paper
|
Word processing programs
|
Save time on your projects
|
Synthetic paper & pigment choices
|
Should you use a local or non-local supplier?
|
Soft proofing
|
Pre-flight programs
|
Using dull or matte varnish for protection
|
Direct Mail Basics
|
Matching printers' equipment to your needs
|
Reader Spread vs. Printer Spread
|
Keep An Edge On Your Bottom Line
|
"Don't let the creep make you bleed…"
|
Crossover
|
Tips for lasering
|
UV coating
|
Press variance
|
Gray balance
|
Treat your suppliers as partners
|
Color match?
|
Butt Register
|
Personalization on coated stock
|
International printing
|
Make sure your colors are defined correctly in your page layout file
|
Selecting the appropriate line screen for the paper stock
|
Spectrophotometer
|
Color control with target values
|
Considering using soft proofing, part 2
|
Consider using soft proofing, part 1
|
Saddle-stitching
|
Color control bars
|
Avoid font problems, part 1
|
Densitometer
|
Trapping, Chokes and Spreads
|
Sheet (leaf) vs. page
|
Choosing a production manager, part 4
|
"Toothy" papers
|
Ink holdout
|
Ordering matching envelopes
|
What does it take to be a world class buyer?
|
Keeping duplicates of originals
|
Image resolution
|
Budgeting for paper: Special effects fall flat on cheap paper
|
Off-line score
|
Proofreaders are worth the money
|
Fluting
|
How to work with your printer: "Show me!"
|
Dot gain
|
Reducing AAs by using color dummies
|
Communicate how your job should be packaged
|
Creating paper standards for print campaigns
|
Paper basis weight does not equal performance
|
To Scan or Not To Scan?
|
Offsetting
|
How cast-coated paper is made
|
Difference in costs with laminating
|
Perfect binding with tabs
|
Imposition on the Press Sheet
|
Look at the big picture
|
Felt Side
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Cast-coated papers
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Envelope size chart
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Web vs. sheetfed paper
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Advancing your career, part 2
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Advancing your career, part 1
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Put It In Writing
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Color cannot be memorized
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Press Check, part 2
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Press Check, part 1
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Spot varnish
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Protecting with varnish
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Soft proofing, part 1
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What is soft proofing
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Page layout, tip 3
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Page layout, tip 2
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Page layout, tip 1
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Text Formats
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Tell Paper Choice Before Scanning
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Creep
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Density
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More tips on trifolds and roll folds
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Shipping books that have been mechanically bound
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Packing requirements
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Selecting and specifying type
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Discovering new options in binding and finishing
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Barrel folds
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Label everything that you send to your service provider
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Avoiding preflight processing fees
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The most effective way to multipurpose your textual content
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UV coating, part 1
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Operating systems and browsers
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Avoid font problems, part 3
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Avoid font problems, part 2
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Advancing your career, part 5
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P.E. - Printer's Error
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Varnish
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Die score can eliminate cracking on folds
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Line screen
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Blends, Vignettes and Banding
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Microsoft Security Updates
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EPS, TIFF, PDF: Why?
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Copy QuarkXPress master pages
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Permanent color palette in XPress
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Better communication with your printer: Avoid "he", "she", "they", and "it"
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Color trap
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Registration
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Foil stamping & UV coating
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Blends/vignettes, part 2
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Potential Postscript Problems, part 2
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Potential Postscript Problems, part 1
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death of the blueline
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